Review by Jared Moser
When I heard Coldplay were releasing a new album, I didn’t know what to think. Part of me was ecstatic, considering their previous album, Head Full of Dreams, was released a whopping 5 years ago, and they’re one of my favorite bands. The other part of me was worried, because there’s a lot of pressure to cap off the decade with a creative bomb shell.
Dropping on November 22nd, Everyday Life is a double LP, separated into two parts, Sunrise and Sunset, each with eight songs. The album attempts to look at today’s society through music, which explains why it’s the first time (out of their eight studio albums) that a Coldplay album is explicit. It’s on the slow side, even for Coldplay, with what I like to call “Imagine Dragons Syndrome,” where an album has a couple of standout songs and the rest seems like filler. With this in mind, Everyday Life has maybe four standout songs, and a couple of others that I thoroughly enjoyed, but I can sense won’t age very well.
The album starts off with a melodic symphony piece, “Sunrise,” similar to the intro track to Viva La Vida, “Life in Technicolor.” It gives an all-instrumental taste of what the rest of the album’s aesthetic is. Though slow, I don’t mind it, because it sets a nice foundation for the album.
Within the first few songs, “Trouble in Town,” stands out among the others. It has a slow, melodic feel, and in place of the bridge, they use a recording of an argument between two men in the city. This is a cool way to bring the grit of reality into the album early. As the men argue, the music swells, developing into a Pink Floyd-like instrumental breakdown around the men yelling. It’s early place in the album gives the rest of the album hope.
The next stand out song is “Daddy,” and while it’s extremely slow, Coldplay implement a classic piano ballad, while lead singer Chris Martin sings softly about father and son issues. From the point-of-view of a son reaching out to his father, seemingly needing him, the father and son relationship is open to interpretation.
While not radio material, “Cry Cry Cry” is my favorite song on the record. It consists of Martin singing softly, alongside an altered voice that sounds like a young child, providing the song with a sense of innocence, over a short and sweet piano piece. Throughout the song are fuzzy crackles and pops, making it seem like you’re listening to vinyl; it’s a fantastic addition that gives the song texture. “Cry Cry Cry” combines the band’s simple and catchy style with their new raw and unfiltered sound, sounding like a classic hit from the 50’s or 60’s with the production value of today.
“Arabesque,” “Orphans,” and “Everyday Life” are some other standout songs of the album for me. From the vocals, sound, and overall feel, they’re essentially what the rest of the album lacks, though I’m not sure Coldplay wanted the whole album to be as production-based and radio worthy as these songs.
Chris Martin said this album is very personal and unfiltered, and the decision they made was to be totally raw and pure. That could explain why the band isn’t doing much promotion or touring, with the exception of an SNL appearance, and a gorgeous live stream of the album being performed in Jordan when it debuted, literally timing it with the sunrise and the sunset.
Even with “raw and unfiltered” as a goal, Everyday Life somehow lacks quite a bit of depth and substance, leaving you unsatisfied when the 53 minutes of music comes to an end. On the surface, the album is beautifully produced and poses “woke” and deep issues. However, as you dig deeper and deeper, it comes off as muddy and has a very unfocused message. It’s an above average album for just any band, but not for a monumental band like Coldplay, leading me to give Everyday Life a 5/10. At the end of the day, though, I’m a Coldplay fan at heart, and I’ll continue listening to, and enjoying, whatever they put out.